The New Yorker, July 26, 2010
English | Pdf | 109.37 MB
COMMENT
Borderlines
The real numbers on illegal immigration.
by William Finnegan

THE TALK OF THE TOWN
Great-Man Theory
George Steinbrenner’s highs and lows.
by Ben McGrath

Friend of the Devil
Tasmania’s first lady takes a goodwill tour.
by Rebecca Mead

Blow-Up
Hollywood’s newest stars: inflatable dolls.
by Peter Savodnik

Foot in the Door
Famous theatre-camp alums reunite.
by Michael Schulman

ANNALS OF ECONOMICS
The Volcker Rule
Obama’s economic adviser and the new bill.
by John Cassidy

SHOUTS & MURMURS
Long, Hot Summer
by Tim Long

THE SPORTING SCENE

Boxed In
Chasing supremacy in a shifting sport.
by Kelefa Sanneh

LETTER FROM CHICAGO
What About Me?
Rod Blagojevich on trial.
by David Mendell

A REPORTER AT LARGE
Emptying the Skies
Songbird slaughter in the Mediterranean.
by Jonathan Franzen

20 UNDER 40 • FICTION
“The Dredgeman’s Revelation”
by Karen Russell

THE ART WORLD
Matisse at MOMA.
by Peter Schjeldahl

Peter Schjeldahl on the Henri Matisse show at MOMA.

BOOKS
The mathematics of voting.
by Anthony Gottlieb

Briefly Noted: “The Cookbook Collector”; “The Invisible Bridge”; “William Golding”; “Not for Profit.”

THE CURRENT CINEMA
“Inception.”
by David Denby

POEMS
“The Man with Many Pens”
by Jonathan Wells

“The Sabbath”
by Anthony Carelli

Sir Richard Bishop, at Zebulon.
by Sasha Frere-Jones

Performances at P.S. 1’s “Greater New York.”
by Hilton Als

“Gunga Din,” at BAM.
by Anthony Lane

DVD NOTES
The Screen’s a Stage
by Richard Brody

TABLES FOR TWO
This Little Piggy Had Roast Beef
by Lauren Collins

GOINGS ON ABOUT TOWN
The Theatre
Night Life
Art
Dance
Classical Music
Movies
Readings and Talks
Above and Beyond
Horizon

THE MAIL
Keith Chamberlin; Juliana Farha; Peter Mead; Stuart Rojstaczer

“Summer Getaway”
by Adrian Tomine

DRAWINGS
Farley Katz, Harry Bliss, Mike Twohy, David Sipress, Frank Cotham, Michael Maslin, Zachary Kanin, Carolita Johnson, Danny Shanahan, Jack Ziegler, Emily Flake, Alex Gregory, Joe Dator, Paul Noth, Marisa Acocella Marchetto, John Klossner

SPOTS
Maximilian Bode

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